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FORCE MAJEURE

I have a force majeure in my life, a center of focus that drives me to create characters and to tell their stories. I suspect that’s true of all dedicated writers, those of us who get our “fix” by sitting at a computer building worlds and inventing characters and plots. If I’m not actually at my computer, I am engaged in some phase of writing, making notes, gathering facts and exploring interesting ideas for this current brainchild.

I am a seeker of truth and what is true concerning these people I’m writing about. Also their personal truths. I am so curious about these characters, their conscious and sub-conscious, that I constantly push myself to the limit of my endurance. Continue Reading »

EDITORS

I don’t believe anyone ever completely understands editors. I was clueless about all of mine. IMO, they are prima donnas.

Not long after I made my first sale (1989), I learned the difference between me and my editor. She was management; I was labor. I had delivered a product and we were going to whip it into shape, and we were going to do it her way and in her time frame. If I hadn’t understood what “a New York minute” was before, by the time we got that first hardcover Regency launched, I knew only too well. Continue Reading »

Photos

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BK and the Double Mountains in West Texas

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The barn on a snowy Easter morning

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BK and Kids

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BK and Family

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West Texas Sunset

ACT OF CREATION

A piece of fiction begins with words on paper and gives the illusion of reality. You have an envelope of imposed imagery that contains characters and shapes their world. Readers must be swept into that magical place called suspension of disbelief. They know the story was conceived by some writer, but willingly accept its truths. Continue Reading »

ODE TO THE FLASH DRIVE

I have no idea how a flash drive works, but I can tell you how flash technology has improved my life. My flash drives have 100 to 200 megabytes of memory. They keep my data safe and are remarkably portable. Nice, because I go to the farm every four to six weeks to write. Also nice when I have to run from a hurricane. Continue Reading »

THE CURE THAT KILLS

Someone is always taking me to the doctor for a check up, and I hate going. Many times, at the end of the visit, the doctor will drag out a prescription pad and say, “I think I’ll give you some blank. Then he or she spouts a long medical name and casually inquires, “Are you allergic to that?” Continue Reading »

TO BEE OR NOT TO BEE

I love to visit our old family farm in West Texas, even though it’s almost a thousand miles there and back. The place is beautiful to us.

Someone is out there about every three weeks. We have ongoing restoration projects and hunting in season. Deer, wild hog, turkey, quail, dove. Yes, we’re into blood sports in our family. We have guns, bows, hunting stands, everything. Continue Reading »

TIME CAPSULE

I have a partial, hand-written manuscript in my upstairs closet. It’s in a battered briefcase, along with a typed, complete MS that’s not too bad, actually. Those manuscripts are examples of what I was writing in May 1969 and June 1970. Continue Reading »

SNOW AT THE FARM

Tradition in our family holds that we’ll have an “Easter spell” at the farm. Meaning that the temperature will drop to freezing, sleet will fall and perhaps snow.

On a working farm, one never wishes for snow. Calves can fall prey to coyotes, who hunt in packs. Continue Reading »

(C) 2000 BK REEVES/NONFICTION: ESSAYS, ARTICLES & JOURNALS

Once in a while I write nonfiction. These handouts are personal essays designed to instruct and to impart my beliefs about fiction writing. They evolved from my classes on writing.

Sometimes I’ll be asked to write “a piece” for a newspaper, magazine or newsletter. I always do and have an outer motive. The publishers probably won’t pay me money, but they will put my name there as author and insert a little blurb at the end, stating who I am, when my next novel is coming out. Sometimes they send me copies. That’s always nice.

That takes care of my apparent reason. My hidden or inner motive (motivation) is that it exercises my writer’s brain. Fiction is wonderful; it’s what I do. But once in a while I like to be me, to speak directly to my readers, tell them exactly what BK thinks and persuade them to my “truths”, reveal my slant.
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My Oxford American Dictionary says an essay is ” . . . a short literary composition in prose.” Prose is ” . . . a written or spoken language not in verse form.”

Writing a successful essay is one of the world’s greatest thrills. It takes practice and persistence. It means finding your voice, being relaxed and at ease coming off the page.

If your great desire is to write essays, think pieces, commentaries or remembrances, you already admire the writings of certain people. I always think of Leon Hale or Russell Baker, or Charles Lamb. Study the great essayists past and present to learn what they say and what they imply. Refine what you want to talk about (topic). Know your premise/theme/slant going in. You will learn where to include your thematic statement.

In nonfiction, you can–oh, joy!–actually tell. You can also “show” or illustrate by citing incident.

That thematic statement? Once again, go to your favorite essayist. He will tell you, usually up front, what he thinks and wants you to learn. Try to figure out topic and slant/premise/theme. Read the essay over and over. Isolate the thematic statement. This will help in writing your own essays.

Your first attempts may shock and disillusion you. Don’t give up. Try again. You’ll develop your own sound, voice and rhetoric. That’s your job right now: Learn to say what you want to say, the way you want to say it.

Writing essays and feature articles (even op ed pieces), commenting on current or past events, on a character, perhaps a situation, is also good training for writing fiction.
_________________________________________________________________ WRITING YOUR OWN STORY

Using a series of essays to tell your life story is an excellent idea. Structure them chronologically. (But avoid beginning too soon. Unless you really were born in a log cabin, simply state the date and get on with your story.)
Warning: You are writing this story for yourself and your descendants. It will probably have no commercial potential. But write it as though it will end up on the NYT Bestseller List. #

Thinking about writing doesn’t work. Get busy and do it.

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